Showing posts with label Stormhouse. Show all posts
Showing posts with label Stormhouse. Show all posts

Stormhouse UK Release Confirmed

Now, then.  Look at that for a top-notch 3D box.

Yes, Stormhouse has a UK DVD release.  It'll be out through High Fliers on July 9.  Exciting stuff.  John Carpenter's The Thing is my all-time favourite horror film, so it's wonderful that HorrorTalk.com's box-quote compares us to that stone cold classic.

You can pre-order Stormhouse at Amazon UK here.  If you've already seen and liked the film, feel free to hit that 'Like' button, or write a review.  All very much helps an indie feature, believe me.

The High Fliers page for Stormhouse can be found here, complete with teaser trailer, cast and crew details and image gallery.

If you're a UK journalist and would like to review the film, please register your interest at the e-mail address 'stormhousefilm at gmail dot com', and we will forward to High Fliers.

Stormhouse had its world premiere at the Edinburgh International Film Festival last year, followed by the London premiere at the mighty Film 4 FrightFest and the US premiere at Screamfest LA.  It was released on Region 1 DVD via Lionsgate in February this year.

I beg you to have a splendid day.
                                            
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My Amazon-acclaimed non-fiction ebook How To Interview Doctor Who, Ozzy Osbourne And Everyone Else is out now on Amazon UK, Amazon US and Amazon Germany, among others.  You can also get a Triple Pack of files (PDF, ePub, Kindle/mobi) direct from me.  Full details here, you splendid individual.

Taking America By Stormhouse

When I think about it, it's pretty unusual for a British horror film to be released in America before all other territories.  Still, I'm certainly not complaining.

Yes, Lionsgate unleashes Stormhouse today in the good ol' USA, via the media of DVD, On Demand and Digital Download.  I wrote and executive produced the film, while Dan Turner directed it and, like the fiend that he is, came up with the original idea: "The military capture a ghost".

I'm as yet unsure as to the exact details of the second and third methods, I know that it's available for buy/rent Instant Download at Amazon.com, as well as on old-fangled DVD.  And when it comes to physical media, I know it's for sale at Walmart, which makes me very happy indeed.

Back through the mists of time, in the '90s, when I was hopping back and forth across the Atlantic as a journalist, I would love scouring US stores for hard-to-find VHS and DVD releases.  So that makes this release even more special: the knowledge that our low-budget indie flick is nestling on those very shelves - probably somewhere between Dario Argento's The Stendhal Syndrome and excellent indie shocker Storm Warning.

Stormhouse was shot in the wilds of Suffolk in August 2010.  If you're intrigued by the story of the film's genesis, you might fancy reading an article I wrote for Issue Seven of the London Film 4 FrightFest's e-magazine, on page 18 here.

UK release, you say?  We have a distributor in place, and are just waiting to see when they plan to release. More news as it comes.

As I don a party hat and ignite the party poppers, I'll leave you with Stormhouse's wondrous Lionsgate trailer (still love that Scary Narrator Voice), links to online interviews we've done to promote the film and links to places where you can follow/support the film's progress.  God bless America.



Interview with me for the Horror Channel

Interview with Dan for the Cult Film Forum

Interview with Dan and I for Dread Central

Follow Stormhouse on Twitter

'Like' Stormhouse on Facebook

2011: How It Was For Me, Darling

Now, then.  Having tidied and sorted my office, which had rather begun to take on a life of its own, I’m in a good position to sit down and sum up my 2011 for you.  If you like.  (Your continued reading of these sentences and paragraphs will be taken to signify interest in this proposition.  Possibly in a court of law.)

Globally, 2011 was clearly an extraordinary year of unrest, whether natural or social.  You'll be relieved to hear I won't be writing an incisive essay about these seismic worldly events: this is purely about my year in the altogether more comforting world of fiction.  And on that front, 2011 was great.  Sure, there was some bad stuff, but there always is - and this year, that stuff was solely confined to utterly tedious business matters which almost certainly won't interest you.

Smug pointing at London's Leicester Squar Empire cinema
STORMHOUSE
My debut feature film, Stormhouse, which I wrote and executive-produced, certainly made the most of 2011.  We threw a BAFTA test-screening, combined with a cast-and-crew screening, which very much taught me the value of test-screenings.  We made some really significant changes to the film, based on our audience's questions afterwards, which improved it tenfold.  Director Dan Turner created a whole new edit and it was good to spend a day with him at Elstree Studios, helping to tweak and overview what we had.  That's another thing I learned: removing even so much as a single frame in a horror movie's 'jump' scene can have a dramatic effect.  It was also a valuable lesson in terms of how much you can cut out of a film without losing the basics you need.

The finished film played festivals around the UK and indeed world.  We couldn’t have had a better world premiere, playing two nights at the Edinburgh International Film Festival.  I'll be forever grateful to Edinburgh's fine organisers for approaching us, having seen a Berlin screening of Stormhouse, to ask whether they could screen the film.  Oh yes, that was a good day. 

Over the August Bank Holiday weekend, we played the UK's biggest and best horror festival, the Film4 FrightFest at London's Leicester Square Empire, which was a real honour too.  Amazing stuff.  After that, Stormhouse was screened at the Birmingham Comic Con, the Chichester International Film Festival (as part of a Best Of FrightFest bill - honour upon honour!) and finally Los Angeles' excellent Screamfest - an event which I'd attended twice before, but typically couldn't make this year.

Stormhouse is now scheduled for a Lionsgate DVD release on February 7, 2012.  Very exciting - as is the trailer which Lionsgate cut together, which is definitely one of my favourite things of the year:



A UK release will also happen in 2012 - we're just waiting to hear when the distributor plans to release.  And of course, it will be issued in other territories too.  More news to come.

DOCTOR WHO
Wonderful 'classic DVD' mock-up of The Gemini Contagion
I had great fun in Whosville this year, getting to write for the Eleventh Doctor (Matt Smith) three times.  Firstly, for a Doctor Who Adventures comic story called Earworm (which you can read in its entirety by clicking the Comics tab at the top of this very page), also featuring TV companions Amy and Rory.  I was really happy with how that one turned out and it seemed to be received well.

Next came a BBC audiobook, Doctor Who: The Gemini Contagion.  Read by the excellent Meera Syal, The Gemini Contagion was a whole load of fun to write, concerning a futuristic anti-viral handwash which turns out to contain a virus (oh, good lord, the irony!) which overloads the language centres of the brain.  That one also featured Amy, who's obviously great to write for.

My third Eleventh Doctor Thing this year was a piece of fiction for the BBC's Brilliant Book Of Doctor Who 2012.  I had an irresistible brief from editor Clayton Hickman - fill in the blanks between TV episodes The Impossible Astronaut and Day Of The Moon!  Surely you can't ask for more fun than that.  I had a brilliant time, writing an intro from the Doctor, then Amy, Rory and River Song's diary entries as they traipse around a late-'60s USA, feeling the presence of an unseen enemy, while the tally-marks on their limbs mysteriously multiplied...

The Brilliant Book gave me another fun highlight of the year: appearing among the book's various authors, to sign at London's Forbidden Planet venue.  The signing, and drinks after, were as much fun as you'd expect.  And I've noticed recently that an attendee uploaded their brief video of the event to the YouTubes.  Here it is:



I've had a couple of Doctor Who releases via Big Finish in 2011.  My short Fifth Doctor audio story The Lions Of Trafalgar featured on the company's Doctor Who: Short Trips Vol IV collection (a lovely reading by Peter Davison); and my full-cast Eighth Doctor four-parter Doctor Who: Army Of Death was released in December 2011, starring Paul McGann, Julie Cox, David Harewood, Carolyn Pickles, Eva Pope, Mitch Benn... a really nice cast, that.  I received my copies of the Army Of Death CD just before Christmas and haven't had a chance to spin them yet, but I'm hearing good things.

It was also announced this year that 2012 will see the release of Big Finish's Doctor Who - UNIT: Dominion.  This is a four-hour Seventh Doctor mini series which I've written with the splendid Nicholas Briggs - a hoot!

OTHER WORLDS
Among all the Doctor Who and Stormhouse stuff, I was toiling away on projects of my own, or those brought to me by other people.

I script-edited The Man Inside, the film which Dan Turner shot in Newcastle this Summer, starring Ashley 'Bashy' Thomas, Peter Mullan, Michelle Ryan, David Harewood, Jason Maza and other fine thespians.  That one should be out in 2012 and it was nice to be involved with a non-horror feature project.

I was delighted to be invited to quack at the Cambridge School Of Art and the London Screenwriters' Festival 2011 this year.  Felt like those events went well.  I also signed various audiobooks at the Big Finish Day in Barking, where one of my favourite things of the year happened - a guy called Mick handed me a homemade card, which visually gathered together a couple of different things I'd worked on.  You can see the card here, below right.  It was, and remains, so touching - the idea that someone might actually be aware of, or even care about, your work as a whole.  Thanks, Mick - and Happy New Year!

I wrote the short prose story The Screams Next Door for charity flash fiction e-anthology Voices From The Past, which you can still buy here at the mad prices of £0.99 or £2.99.  I also wrote the seven-page comic story Consumed for the zombie anthology Dead Roots (site here), which I'm very much looking forward to seeing brought to life on the page.  Oh, and I published my first non-fiction ebook, How To Interview Doctor Who, Ozzy Osbourne And Everyone Else, which draws on my journalistic past to tell readers everything I know about interviewing people.

Mick's splendid card
2011 has been my first year with an agent, the excellent Matthew Dench at The Dench Arnold Agency, and we've been building up various specs for film and TV.  One handy thing an agent can do, is 'package' you together with other people under his agency roof.  Matthew did that during 2011 - a welcome move which will hopefully result in a new feature film during 2012/13.  I now have three or four feature scripts in various stages of development now, so will continue to write/push those next year.  Needless to say, I'll also be looking to make my way into TV - things seem to be moving in that department, which is encouraging.

While Twitter continues to be the place where I spend most of my social media time, it feels like I've blogged more during 2011 than I have in the last couple of years.  Why, I even wrote posts across five consecutive days!  The most-read post here, over the last 12 months, was The Magic Of Draft Zero, which seemed to strike some kind of chord, while the one which generated the most comments and discussion, was the recent Eight Ways To Annoy People Whose Help You Want.

While I very much intend to be even more focused on the all-important writing during 2012, I'll try to keep up the bloggery-pokery.  Hope you'll join me!  I also hope you've had a tremendous Christmas and will have a magnificent New Year.

If you're a writer, what is your writing-related resolution for 2012?  Please tell us all in the Comments below.  (My resolution will be stricter time management.  In particular, not checking e-mail every ten minutes and definitely not replying to e-mail straight away.  That way lies distraction and sheer, screeching, wall-eyed madness.)

And now you've told us all about your resolution, why not check out my script-mates' own end-of-year posts, hmmm?  Good DAY to you.

James Moran: 2011 In Words & Pictures

Phill Barron: 2011

Dan Turner: 2011, Review Of The Year

David Bishop: My Report Card For 2011, Part One and Part Two

William Gallagher: So Where Was I?

Ken Armstrong: Happy New Microcosm

Helen Smith: Lovely Things, 2011
                                            
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My Amazon-acclaimed ebook How To Interview Doctor Who, Ozzy Osbourne And Everyone Else is out now on Amazon UK, Amazon US and Amazon.de.  You can also get a Triple Pack of files (PDF, ePub, Kindle/mobi) direct from me.  Full details here, you splendid individual.

Keeping Up Appearances

This year, a new phenomenon has entered my life.  People have started asking me to appear at places.  In public.

That's a funny business and no mistake.  It's also a terrifying business, as public speaking doesn't come naturally to me, to say the least.  Hell, speaking to more than one person at a time doesn't come naturally to me.  Many writers are writers because they're way better at writing than talking (all that lovely, golden time in which to think of the ideal written sentence!), and I'm one of those.

The phenomenon pretty much began with this year's Big Finish Day and continued when I got a call from Sophie Jackson at the Cambridge School of Art.  Sophie wanted to know if I could come over there and be interviewed and/or give a lecture to her film students.  I ended up doing both, and despite my raging nerves, it was a really good experience.  Lots of fun.  First of all, in a small theatre at the school, I screened the first eight minutes of my first produced feature, Stormhouse.  This received a good reaction, including the big jump and laughter I was hoping for, right at the end.  Then Sophie interviewed me about scriptwriting and film-making, eventually opening it up for questions from the floor.

After lunch, I was installed in a classroom which is, funnily enough, slightly more intimidating than the more formal environment of a theatre.  My lecture, 10 Things That Make For A Better Horror Film, even ended up incorporating a Powerpoint presentation and a couple of video clips (from John Carpenter's The Thing and the original Texas Chain Saw Massacre!).  I was pleased to see that, although the lecture wasn't compulsory for students to attend, the majority of people who were at the theatre interview came along.  After all my quacking, my vocal cords felt like they'd been sandpapered.  Nevertheless, tremendous fun.  It was great to meet those seriously switched-on students and have a proper chat with some at the end.  If you're considering attending the Cambridge School of Art, I can recommend it - it boasts a nice, laidback atmosphere and a whole section of the place is brand new, being no more than a few months old.


After Cambridge, came London.  The London Screenwriters' Festival, to be precise.  A fine event, which I attended in 2007, 2008 and 2009, before missing a year after the event changed hands. I'm happy to report that the festival is in ruddy health - it felt both organised and energised.  I spoke on the Fantastical TV panel alongside Paul Cornell (writer on Doctor Who, Primeval and many more), Adrian Hodges (Primeval co-creator) and Philip Palmer (noted SF author).  As you might imagine, I felt like an imposter, but was determined to contribute, having conducted some research on the state of the TV industry with regard to genre fare. Amusingly, I later discovered that both Paul and Philip felt like imposters too, which is ludicrous - I can only assume they were trying to make me feel better.

The session went really well, with lots of (hopefully) practical advice flying around and a good interaction with our healthy audience (well, there were quite a few of them - don't know how healthy they were).  The session was filmed, so I believe festival attendees should be able to see it online at some point.  Loved it, and enjoyed hanging around for the rest of the day, during which I finally got to meet the walking sparkplug that is Robert Thorogood, the man who created BBC One's fine series Death In Paradise.  All without a prior TV credit too, so he's a great example and inspiration to us all.  He's also the ultimate poster boy for The Red Planet Prize, which made it all happen (and that competition is opening its doors once again for 2011/2012 - get in there).

My next public appearance (now those are four funny words to write, let me tell you) is this Wednesday, November 30, at London's Forbidden Planet on Shaftesbury Avenue, 6pm.  I'll be appearing in that fine behemoth of a store, among various other writers who contributed to The Brilliant Book Of Doctor Who 2012, signing that magnificent tome.

I should warn anyone planning to attend the event that my signature will half the value of the book.  Luckily, everyone else's autograph will quintuple it - look, there's Steven Moffat, Mark Gatiss, Gareth Roberts, Tom MacRae, the book's editor Clayton Hickman, designer Paul Lang and everyone else listed here on Forbidden Planet's page for the event.  Should be a hoot!

So that's all tremendous fun.  I'm still much more used to attending other people's public appearances, though.  Why, only this week, my young lady Esther and I went along to Waterstones to meet North Norfolk Digital broadcaster Alan Partridge, who was signing his extraordinary new autobiography I, Partridge: We Need To Talk About Alan.

The queue comprised over 300 people, but we'd managed to get there in time to be numbers 108 and 109. When we finally arrived at the Partridge table, he was resplendent in a purple jacket and cheery, seeing as he'd already been signing for an hour.  My only stipulation to Alan, as he signed our book, was that he didn't draw a cock, to which he agreed.  We had a chat about Suffolk ("I'm from Sheringham," Alan told us, "which is a great place, if you want to kill yourself"), had our photo taken with the great man (I don't think I've ever seen that facial expression on me before - must be The Partridge Effect), then bounced gleefully off into the night to find the nearest pub.  Now that's what you call a public appearance.



                                            
                                                                         ***


My Amazon-acclaimed ebook How To Interview Doctor Who, Ozzy Osbourne And Everyone Else is out now on Amazon UK, Amazon US and Amazon.de.  You can also get a Triple Pack of files (PDF, ePub, Kindle/mobi) direct from me.  Full details here, you splendid individual.


New US trailer for Stormhouse!

Having enjoyed a great run on the global festival circuit, my first produced feature film, Stormhouse, has a confirmed US DVD/Video On Demand release date of February 7.  It's coming out over there through Lionsgate, one of my favourite distributors, so it's nice to be able to finally announce that.  The DVD extras will include Stormhouse Uncovered, a featurette involving cast and crew chatting away on the film's set.

Lionsgate have cut a brand new trailer for the film, which I'm very taken by.  It has a sinister US narrator, an 'R' certificate at the start for language, violence and gore, and all the  jumpily dynamic editing you could wish for.  Love it.

UK release, you say?  It's happening, so watch this space.


                                            
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My ebook How To Interview Doctor Who, Ozzy Osbourne And Everyone Else is out now on Amazon UK, Amazon US and Amazon.de.  You can also get a Triple Pack of files (PDF, ePub, Kindle/mobi) direct from me.  Full details here, you splendid individual.



Doctor Who Dreams Come Through

Once, when I was very young, I asked my mother a question which understandably bamboozled her.

"Mum... did we ever go hunting for The Master?"

I dearly wish I could remember her exact reaction.  As it is, I can vaguely recall her kindly humouring me by taking a brief moment to think it over.

"No," she said.  "No, I don't think we did".

Turned out I'd had a dream, you see, in which my family crept around our own house, searching for The Master, cowled nemesis of TV's Doctor Who.  The Master had recently scared me witless in The Deadly Assassin, by dint of having bulbous ping-pong ball eyes, the most theatrically malevolent voice imaginable and lurking beneath Gallifrey's political chambers like some horribly decaying Satan with a creepy grandfather clock for a time-and-spaceship.

Contact had been made.  Doctor Who had taken root in my subconscious mind and flourished, until I couldn't distinguish between dreams and reality.  The show had engaged and ignited my imagination, fanning the flames of creativity.  Me and my folks hunting The Master in the darkened corridors of our home in Suffolk's Carlton Colville was almost certainly the first fictional story I ever 'wrote'.

If Doctor Who had never existed, I don't doubt that my brain would have been inspired by something else.  I do doubt, however, that it would have been something which encouraged such infinitely fertile imagination as Who - a show which spans all of time and space. 

That dream about The Master led directly to this:


And this, in which TV's Doctor Who does battle with the, ahem, 'Sontans':


According to my mum, I "never stopped writing".  There are books and books of these Doctor Who tales, all of which feature the word "suddenly" quite a lot.  I still find myself deleting the word "suddenly" from second drafts of scripts all the time.  It's an affliction which affected me suddenly, over time.

Those books eventually led to the lovely headmistress and English teacher at my middle school conspiring to have my stories put together in a couple of bound volumes and placed in the school library.  

Here I am, holding one of those volumes and displaying cheekbones for which I now hate my younger self.  Halfway through my teens, rock journalism swept me off on a violent side current, but it always came back to stories of one form or another.

Ultimately, Doctor Who and the dreams it spawned have led me, via a fairly circuitous route, to write fiction for a living.  I've written prose for the Fourth Doctor, audio adventures for the Fifth, Seventh and Eighth, and come bang up to date with the Eleventh Doctor for audiobook Doctor Who: The Gemini Contagion and The Brilliant Book Of Doctor Who 2012.


My first produced feature film, Stormhouse, has rightly drawn the odd Doctor Who comparison from reviewers - it is, after all, essentially about a terrible entity in a cage and fits the show's classic 'base under siege' template.

Stormhouse had its world premiere at the Edinburgh Film Festival, its London premiere at Leicester Square's FrightFest and will have its US premiere at the Los Angeles Screamfest tomorrow afternoon.  (Update: Lionsgate Home Entertainment have bought it for US distribution and cut a brand new trailer). Now that I really stop to think about all this, it's pretty mind-blowing.  Needless to say, I have a vast amount of things to learn and no end of things to achieve.  But it feels important to always stop, take stock, and never forget where my career really began.  Hunting for The Master in our old house.

I've so much to thank Doctor Who for, beyond the considerable entertainment it has brought, and continues to bring me.  

You see, Doctor Who isn't just a show you watch.  Doctor Who isn't just for Christmas.

It's a show which combines with your DNA, coils tendrils tightly around it and informs your entire creative life. 

You'll never be the same again.  Thank God for that and thank God for Doctor Who.

UPDATE: I'm among the many contributors to Behind The Sofa, a book of people's favourite Doctor Who memories - including people like Charlie Brooker, Jonathan Ross and even Bill Oddie!  It's 100% in aid of Alzheimer's Research.  You can see the site here, follow the Twitter feed here and buy it here

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Flush The Fashion Interview

Hello!  Stormhouse plays the Film4 FrightFest tonight.  Very exciting indeed.  I'll let you know how it goes.

Fine site Flush The Fashion interviewed me this week, about the film and indeed my whole career, including the rock journalism in the 80s and 90s.  You can read it here.

Stormhouse FrightFest Article Now Online

That article I mentioned the other day - the one about the making of Stormhouse?  It's now online, in the Film4 FrightFest's free e-magazine.  It features some exclusive behind-scenes on-set pictures and some happy memories of that Summer in 2010 when we all descended on a military base to make a film.

The mag's full of articles and fun stuff.  Read it here.











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My ebook How To Interview Doctor Who, Ozzy Osbourne And Everyone Else, is out now on Amazon UK, Amazon US and Amazon.de.  You can also get the PDF Edition direct from me.  Full details here, you splendid individual.





Stormhouse: FrightFest & The Festival Schedule

Hello you,

As new additions are made to the Stormhouse screening schedule, I wanted to post a round-up of places where you can see the film in coming days, weeks and months.  Here goes:

AUGUST 26
Film4 FrightFest, London Leicester Square Empire Cinema, Discovery Screen, 11.30pm
This is a source of tremendously giddy excitement for me.  It's a dream scenario for this event to be the very first to screen Stormhouse post-Edinburgh.  As I've said before, FrightFest has been a yearly pilgrimage for me since 2002, so having a film showing at this most prestigious of genre festivals is a great way to mark my tenth visit.  I've written a 1500 word piece on the experience of making a horror film in the UK and how that's a far from impossible achievement, for the latest issue of the event's free e-magazine. Keep an eye on the Film4 FrightFest's home page for the new August 2011 edition, which should be posted soon.

AUGUST 27
Birmingham Comic Con, 7pm
A new addition to the schedule, this well-regarded event will be screening the film for attendees, who will hopefully enjoy being frightened after a busy day of buying comics, meeting creators and attending panels!  You can see Stormhouse's placement on the Events page here.

AUGUST 30
Chichester International Film Festival, 9.15pm
I'm delighted that Stormhouse is showing here as a Best Of FrightFest package, comprising five films.  What an honour!

OCTOBER 14-23
Los Angeles Screamfest, screening day and time tbc
This is the US film festival which broke Paranormal Activity, and one which I've attended on two occasions.  A really tremendous event, passionate about horror films.  Again, such an honour to be among the line-up here.  Screamfest's Advisory Board reads like a Who's Who of horror, including John Carpenter, Wes Craven, Tobe Hooper, Clive Barker, Sean Cunningham, Eli Roth and John Landis!

Exciting times, then.  Honours a-go-go!  Hope you get to see Stormhouse at one of these events.   As a very special bonus at no extra charge, please know that after you've viewed the film, Stormhouse's entity will follow you home and destroy your life.  Enjoy!

Stormhouse on Twitter

Stormhouse on Facebook

Stormhouse teaser on YouTube


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My ebook How To Interview Doctor Who, Ozzy Osbourne And Everyone Else, is out now on Amazon UK, Amazon US and Amazon.de.  You can also get the PDF Edition direct from me.  Full details here, you splendid individual.


Edinburgh, FrightFest & The Like

Dean Fisher, Dan Turner, some bloke
A month after the last blog post, it's plainly time for another.  And there's a lot to tell you, so for Christ's sake stop molesting that swan and pull up a toadstool.

STORMHOUSE AT EDINBURGH!
Oh yes indeed - my debut feature film Stormhouse had its world premiere at the 65th Edinburgh International Film Festival.  Two nights, no less, at the Filmhouse1 cinema.  What an honour and a thrill.

In the picture to the left, you can see producer Dean Fisher, director Dan Turner and me, minutes before going into the first night's screening.  Notice the large gin and tonic clasped in my paw and the barely-concealed terror in my eyes.  We didn't know whether to expect five punters (including us) or 500.  Thankfully, it was way closer to the latter, with a really good showing.

While watching Stormhouse, the audience looked very much like the picture below right.  They jumped and often appeared to be hiding behind their hands, so I took that to be a good thing. They also applauded at the end.  (Afterwards, it was great to get feedback from Twitterers like @stefanw1980, who said: "Just watched Stormhouse at  and really enjoyed it. Not been scared by a film in a long time. A great independent supernatural horror!".)  We celebrated our relief by piling ourselves and our attending cast members (Grant Masters, Grahame Fox, Patrick Flynn, Frankie Fitzgerald!) into a couple of people carriers and enjoying a banging rave party for the premiere of Momentum Pictures' film Weekender.  God it was loud, but there were free cocktails and glowsticks.
Edinburgh Film Festival audience

That first screening wasn't quite loud enough, so we cranked the volume the following night.  I had to head home, but Dan assured me it was much louder and people were jumping out of their seats.  Lovely.  Thanks to the Edinburgh Festival organisers, who made us feel so very welcome.  No thanks, however, to Edbook Apartments.  I'd advise you to give them a wide berth if looking for accommodation in that fine city.  Ahem.  Onwards.

LONDON FILM 4 FRIGHTFEST!
Yep, that's the next stop for Stormhouse!  Loving that.  I've been attending FrightFest since 2001, so it's pretty amazing to be there a decade later with a film I wrote.  FrightFest is, of course, the UK's biggest horror and fantasy festival.  They know how to do it properly, year after year, so I'm very much looking forward to that August Bank Holiday weekend.  Stormhouse will screen on August 26 at 11.30pm, tantalisingly close to the witching hour, on the festival's Discovery Screen.  You can see our FrightFest page here.  Shortly after FrightFest, there's another UK screening of Stormhouse, outside of London, although I don't know if I'm allowed to announce that yet.  So I'll keep my trap shut.  More Stormhouse news to come this Summer.

THE BBC WRITERS' FESTIVAL!
This was the second annual event thrown by the BBC Writersroom, and attended by various TV and film-writing types, as well as a variety of special guests.  As a big fan of BBC2's The Shadow Line, which recently aired, I was really pleased to sit in on a session with writer/director/producer Hugo Blick, as he talked about the process of creating it.  The man spent four months just thinking about it, before he started the actual writing.  Four months.  That's something to think about, next time your writerly excitement bursts forth like volcanic lava, forcing you to launch into a script which you haven't entirely thought through.

The Shadow Line creator, Hugo Blick
Other panelists include Jimmy McGovern (legendary writer with a frank mouth to match), Kudos' Jane Featherstone, BBC Head of Drama Ben Stephenson, Matthew Graham, Ashley Pharoah, Toby Whithouse, Bill Gallagher, Paula Milne and John Yorke.  The latter gentleman gave another fine semi-lecture, this year all about dramatic structure and scriptwriting gurus.  John's two main conclusions boiled down to this:

1) All those gurus are basically peddling the same structure (and yes, he was aware of the irony that many perceive him to be just such a prescriptive guru).  No matter which structure you adhere to, you can never escape the fact that the human brain has long been conditioned to need a beginning, middle and end.  It's hardwired into our psyches, just like morning, afternoon and night, or birth, life and death.

2) Regardless of whether you believe in structure, you use it anyway, consciously or not.  There's no escaping beginning, middle and end.  Unless you're writing something deliberately mad.  Or just mad.

I took a fair few iPhotos during the event, which you can see on my Tumblr here.  Once again, a brilliantly organised and useful affair.  Always nice to see a bunch of writers blinking against the unfamiliar onslaught of daylight and sociable behaviour.

THE MAN INSIDE!
Stormhouse director Dan Turner is shooting a new feature, right now, in the fine city of Newcastle.  It's called The Man Inside and stars Peter Mullan, Michelle Ryan, Bashy, David Harewood, Carl Barat and plenty more.  I'm pleased to say I script-edited The Man Inside, and am very much looking forward to seeing the results.

DEAD ROOTS!
I'm among the writers on a forthcoming graphic novel anthology of zombie stories.  My story's called Consumed and is delightfully unpleasant.  Editor Mike Garley suggested an artist whose distinctive work I liked a lot and so I'm tremendously excited to see the finished product there too.  Comics are very much a medium I'm looking to sink my talons further into, so this will be a big step forward.

IN DEVELOPMENT!
Film 2011 co-host Danny Leigh and I are special guests at an In Development gathering, later this month.  We'll be informally chatting to people about moving from journalism to fiction and how you can go about juggling the two, or making the jump altogether.

Right, I think that's you up to date.  I've probably forgotten stuff.  Follow me on Twitter if you'd like to keep up with everything, plus a whole load of nonsense which you'll regret signing up for.  I also just joined Google+ (profile here), but aren't entirely sure whether I'll settle yet.  Maybe see you there anyway, eh?

Coming up on this blog: an update on useful writing tools I've discovered on the iPad.

Stormhouse web page

Stormhouse on Twitter and Facebook

SFX interview with Dan and me, about Stormhouse

GeekChocolate interview with Stormhouse cast and crew

Stormhouse Needs YOU


The Stormhouse teaser trailer, as the title of this very blog-post subtly implies, is now on YouTube.  Which means the trailer now belongs to the internet, to do with as it will.

If you like the trailer, and/or like supporting indie films which genuinely need support and assistance, then feel free to engage in any of the following fun activities:

YOUTUBE:

Link to the teaser with this link: http://www.youtube.com/watch?v=tp5a6T0kCCw  Or the handily-shortened version: http://bit.ly/j6fzDD

Embed the teaser into your own blog/webspace, just as I did on this very blog, by following the above link to YouTube, hitting 'Share', then grabbing the brief bit of code.

Hit 'Like' on the teaser's YouTube page, via above link.  Provided you liked it, obviously.

FACEBOOK:

Go to the film's new Facebook page here and be among the first people to hit 'Like'.

Post something like this on your wall:
In 2002, the military captured and imprisoned a supernatural entity: http://bit.ly/j6fzDD

TWITTER:

Tweet something like this:
In 2002, the military captured and imprisoned a supernatural entity: http://bit.ly/j6fzDD #Stormhouse

Follow Stormhouse's progress on its Twitter page here.

Everything and anything you can do to help spread Stormhouse awareness will be much appreciated.  Thank you, you effervescent human being.

Stormhouse Trailer Hits The Web


Hello beautiful!

The first teaser-trailer for me and Dan Turner's horror feature Stormhouse is now hosted online on two key websites.

In the UK, across-the-board genre site Den Of Geek bigs up the film.

In the US, top horror site Bloody Disgusting unveils us to the world.

Great to get coverage like this on such excellent sites.  And I love this teaser: hopefully it does the job of conveying Stormhouse's atmosphere, attitude and genre rather well.

Stormhouse Launches In Edinburgh

We've known about this for over a month now, and have been dying to reveal it, but finally the news can be passed on: our feature film Stormhouse will have its world premiere at the 65th Edinburgh International Film Festival 2011.

This is obviously tremendous news.  Edinburgh is such a prestigious event and I couldn't think of a better way to launch Stormhouse upon the press and public.  The film will enjoy two public airings during the festival (which runs from June 16 - 25) as well as a press/industry screening.

Director Dan Turner, producer Dean Fisher and I certainly intend to be there, to see our progeny unleashed.  It'll be a tremendous honour to follow in the Edinburgh-premiering footsteps of the likes of Moon and The Hurt Locker.  Congratulations to Dan, Dean and all our brilliant cast and crew members.

Variety article on the first batch of Edinburgh announcements

Stormhouse: The BAFTA Screening

Well, I'm still recovering from that.  Have quite the headache.  Still, if I keeled over and perished right now, then last night wouldn't have been the worst one to go out on.

It was great!  BAFTA's lovely Princess Anne Theatre was 90% full - and thankfully, the reaction to our Stormhouse film was overwhelmingly positive.

You can't help but have your heart somewhere uncomfortably close to your mouth, as lights go down.  Thankfully, one shock-jump moment in the first 10 minutes genuinely sent a jolt through the theatre, followed by that lovely shared laughter you get at the cinema, when a moment properly grabs the audience.  After that, hopefully both audience and film-makers relaxed a little.  But not too much in the audience's case, since we wanted to scare the hell out of them.

Working on a film, especially over a long period of time, is a funny business.  It's easy to lose objectivity about how effective the thing is - and also what its true nature is.  Watching Stormhouse alongside 200 other people really opened my eyes and ears as to how nasty and brutal it is.  This is a pretty uncompromising film and I'm really proud of that.  Director Dan Turner is not a man for compromise, and so this isn't just another saccharine borderline-horror film aiming for a '12A' certificate.  This is about atmosphere, scares, darkness, uncomfortable moments, wince-making moments and pure, raw horror.

After the screening, Dan, producer Dean Fisher and I kidnapped our lovely test-screener crowd, who we'd positioned in the first three rows for ease of access.  They kindly filled in our questionnaires, designed to find out what they liked least and most about the film.  Then we informally quizzed them for a while.  It was a very useful session indeed.  I quickly learnt one thing: you're looking for that moment of forest-fire consensus.  Someone asks a question and pretty much everyone makes a noise and nods.  That's when you know the point really needs to be considered.  Great stuff, which will genuinely allow us to strengthen Stormhouse in small but very important ways.

After the Q&A, we headed over to join cast, crew and industry guests at this really lovely bar...


... the Jewel in Piccadilly.  What a lovely place - especially if you like spirits and are rich.  It was great to see the cast and crew members again.  Backs were slapped and plenty of compliments on the film came from guests.  You can tell when someone didn't really like something, because they don't say any more than they need to.  People generally hate lying.  So they'll say something generic but encouraging, like "Well done!".  But when they start breaking out the "Amazing"s and the "I loved it"s, you know there's more likelihood of sincerity.  So that was nice.


And already, the buzz was starting to spread out through the Twittersphere.  People saying stuff like this:

 Lisa McLisa 
Just back home from @'s  - congrats to all concerned - I really enjoyed it! :D I likes my horror super creepy :)

 Joanna Murray 
@ Totally loved @ tonight. Can't wait til release so I can bore my mates that I've already seen it. Brilliant!

 Lisa Holdsworth 
Just had the bejesus and several other things scared out of me by @ 's film Stormhouse. Amazing new British horror movie.

 Lisa Moran 
Home from @ Dunno why I'm bothering,I'll probably never sleep again anyway.Not without my bejaysus which was scared out of me

I swear these folks received no money from us.  Incidentally, they were unaware that Dan has recently returned to Twitter (follow him here) - and this film is certainly far from being just my baby.

Thank you, again, to everyone who came to the screening and gave such valuable feedback.  You've really helped to give us the courage of our convictions.  

Hopefully, in the next month, we'll be able to make the Stormhouse announcement we've been dying to make for a few weeks now.  Stay tuned.  Do not adjust your set.